Showing posts with label Esme Quentin Mysteries. Show all posts
Showing posts with label Esme Quentin Mysteries. Show all posts

Wednesday, 16 December 2015

Season's Greetings!


I'm pretty much on target with completion of the first draft of the next Esme novel which I'd planned to get done by this month, so I'm a happy writing bunny

(the idea being that I could indulge in Christmas and let the subconscious writer brain buzz away unmolested ready to spring into action for the first editing stage in the new year).





Thanks so much to all of you who have contributed in some way to my Engage Write Brain blog over the past year, either by adding your comments or by tweeting and re-tweeting posts.


So... I shall now get busy with present wrapping, singing carols, cooking yummy things to eat while I wish you a very Happy Christmas and a productive and exciting New Year!


See you in 2016!





Friday, 14 August 2015

Step into my world

Prince Rupert Street, Shrewsbury
(en.wikimedia.org)
 
As my first Esme novel was inspired by family history and my ancestors hail from Shropshire, it seemed appropriate to set BLOOD-TIED in the county. With the historic town of Shrewsbury, numerous outlying villages, the nearby canal network and the wild landscape of The Long Mynd to chose from, it had potential for a wide variety of scenes.

The Long Mynd
(common.wikimedia.org)
But should I change the locations into fictional places or stick with their real names? In the end I opted for a mixture of both. Shrewsbury became Shropton (in fact, I'm not sure that the county town of Shropshire wouldn't be better named Shropton, i.e. Shrop-town!) and The Long Mynd, by contrast, retained its identity.




When it came to writing THE INDELIBLE STAIN, the inspiration had come from reading about 

© Peter Keene
19th century sailing ships transporting convicts to Australia. I decided I needed a coastal scene with dramatic cliffs from which my victim would fall.
The area around Hartland in North Devon was a perfect choice and I used a tiny former port for many of the scenes, re-naming it Warren Quay so I could add extra houses and reinstate the harbour the real location had once had, until it was washed away in a violent storm in 1896.


I'm now immersed in the first draft of the third Esme mystery, as yet untitled, and my mind is buzzing as I start to match my scenes with places. So, without giving too much away, I'll share a couple of photos with you of possible locations. That's all I'm saying for now!



 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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What's your preference for settings? Do you like reading about real places or fictional ones? Do you have a favourite book set in a place you know and love? I'd be interested to hear your views.
 
 
 
 

Tuesday, 3 March 2015

The Scrivener Experience

I decided that when I started writing my next Esme mystery that I'd take a break from the old typewriter (joke!) and try out the writers' software tool Scrivener.

The program was written in the UK with a specific aim to help authors when writing long creative texts. Originally built for Mac users it's now available for Windows too.

I downloaded the trial version some while ago but hadn't really spent much time on it until recently. Fortunately, (and sensibly) the trial period is not measured in real time but by usage time, so you get 30 non-consecutive days to play around with it before having to decide whether to buy a licence to adopt it permanently.

One of the reasons I was drawn to the program after seeing a sample, was the nifty cork-board facility. As an index card user in ye olde fashioned way of doing things, this really appealed. I plan out my scenes on cards by writing a sentence at the top of each to summarise the content, adding more detail below. These I use as prompts for when I begin writing the novel proper. The Scrivener system allows me to work in exactly the same way but with oh-so much more.


I can use colour coding on my 'cards' (for different settings, alternative POVs etc.) and - a particular favourite - I can change the order of the scenes by simply dragging the 'cards' around on the screen, which a lot less hassle than using the paper version and having to rub out my pencilled notation in the corners and re-number everything!



Once the scenes are decided, click on the card you want to work on in the list on the left-hand side and a blank page will open up ready for you to write the scene's content. You can add new scenes at any time and write them in whichever order you wish. Great for authors who like to write out of sequence.


The list on the left, known as the binder, also holds every other sort of file you might wish to create during the writing process - character files, research information, settings, photographs, maps etc. - and a bin for your rejected work, which is only emptied when you're ready.

Once your scenes are written, it takes a few clicks of the mouse to compile all the individual pieces of writing into the full piece of work, as opposed to the long-winded cut 'n' paste procedure I've used in the past when writing in Word.

However, Word is not completely redundant, as should you still want to use it (and I do prefer Word's thesaurus than the online version linked to Scrivener) it's apparently possible to import Word files into Scrivener, though don't ask me how yet - I'm still a beginner!

These are only the basics and I'm still finding my way around the many clever tricks the program can do. One extra bonus for me is the ability to organise my thoughts, notes and ideas into an easy-find, easy-read format. Usually I'm in danger of drowning in reams of paper, notebooks full of disconnected scribbles and computer printouts. Although I did start out that way (which I always is a good way to get the writing brain engaged) now that I'm up and running I've been able to transfer the key information over to Scrivener files - a useful process in itself, enabling me to filter through the chaos and sift out irrelevant information.

There's a heap more I've yet to discover, I'm sure but, as the tutorial says, many authors don't go any further than learning the basic elements - it still serves as a very useful tool.

If you fancy taking a look for yourself, you can find out more by watching the demonstration video below or taking a look at Scrivener's website.

 

(If you have any problems with the video link, you'll find it on YouTube or via Scrivener's website.)



If you use Scrivener yourself and would like to share any tips or experiences, I'd be most interested to hear from you.
 
 
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P.S.

I've just come across a genealogy website called The Armchair Genealogist, advocating using Scrivener to write a family history, so I'm just nipping across there now to read how I might get even more use out of my new writing tool!




Monday, 20 October 2014

Inspired by mysteries

My online friend and fellow writer Georgia Rose commented, after reading my Family History Secrets blog, that I must have endless patience to do all the research involved.

I had to admit that it's as much to do with addiction as it is perseverance! Plus, being as my Esme Quentin Mysteries are inspired by genealogy, any trawl I do has the added incentive of me inadvertently stumbling upon a  brilliant plot idea!

Georgia confessed she'd be frustrated if she couldn't find out what she wanted and it's true that it's disappointing when I hit the proverbial brick wall and have to abandon a trail without achieving a result.

But there's always another mystery on the list to investigate. Or, as new records are being made available all the time, I might return to those questions I've not yet answered to see if information has come to light since I last searched which might give me that longed-for breakthrough.

Over the years I've discovered the answers to numerous intriguing questions and, although some remain stubbornly elusive, I'm hopeful that one day I'll uncover the truth about those too.

Questions such as:
  • What happened to my great-grandfather when he 'disappeared' after the 1881 census?
  • Why did my great-aunt run away from home in 1904, aged just 16, and tell her employers she had no family?
  • Who was the mysterious spinster to whom my husband's ancestor secretly left his estate and not to his wife?
  • Why did my husband's great-great grandparents travel to Australia in 1868 and why did they not take their children with them?
  • Who was the father of my illegitimate great-grandfather?
  • Who was the mysterious half-brother to my great-grandfather who I discovered on someone else's family tree?
  • What happened to my great-great-grandmother when she disappeared, leaving her illegitimate son behind with her parents?
  • What happened to my husband's ancestor after he was convicted of theft in 1831 and sentenced to 14 years transportation? 

Why not pop over to my familyhistorysecrets blog and find out which of these mysteries I've solved and which I'm still working on? 

And if you have your own family mysteries, either solved or unsolved, I'd love to hear about them.