Wannabe part 2...

Jane Wenham-Jones

The second part of the pilot of Jane Wenham-Jones's excellent idea for a TV show based upon her book Wannabe a Writer?, is now available to view.



Delphine Lever, the brave novice writer acting as guinea-pig for the pilot, goes to meet best selling author, Katie Fforde, who has lots of advice to give.





Katie explains to Delphine the importance of starting the story in the right place and reads an extract from her own very first novel, Living Dangerously, to demonstrate how to draw the reader in.

The clip is full of useful and practical information, particularly for those writers who are just beginning on their literary journey.


After their meeting, Delphine went home and, taking Katie's advice, re-worked her writing piece. You can read the 'before' and 'after' versions here and see how she has incorporated what she has learned.


Go to Wannabe a Writer TV Show now to watch the clip and add your comments.

Many people have expressed their enthusiasm for the concept and their hope that one day soon we will see it as a fully fledged TV show on their screens. And I'm one of them!

Curse of the creative brain

Visiting friends showed us some stunning ceramic pieces they'd bought but which the artist had wanted to give away (they insisted on buying them!), having deemed them 'rejects'.

Lack of confidence in the work we produce is not limited to ceramic artists. We writers also find our inner gremlins pouring scorn on what we've written. But as Helen Yendall's article 'Bad Rubbish, Good Riddance' in August's edition of Writing Magazine reminds us, even the most experienced writers have  gremlins. She suggests one way of dealing with them is to give them a silly name!

When mine starts muttering (I haven't thought of a name for him, yet!) I reach for my copy of Elizabeth George's book, 'Write Away' ('one novelist's approach to fiction and the writing life'). At the start of each chapter Ms George quotes from her journals, aptly illustrating that self-doubt is not merely the lot of novice authors. 

'What am I doing pretending to be a writer?' she despairs on one occasion, and on another confesses to feelings of inadequacy after reading 'The Constant Gardener' and marvelling at John le Carre's genius.

My favourite entry, though, is the one she wrote after receiving an outstanding review for one of her novels.  Several reviewers had apparently remarked that although they can't wait to read her next book, they're a little scared in case she hasn't maintained the quality of the last one. 'Gee,' she writes. 'They should be on this end of things!'